STATUS: Heading out to check out the Off Broadway musical Altar Boyz.
What’s playing on the iPod right now? AUTUMN IN NEW YORK by Harry Connick, Jr.
It was late when I wrote yesterday’s blog so I can be forgiven but I totally forgot a key point the editor from RH had shared. She’d love to see urban fantasy with a male protagonist. They’ve been kind of scarce and there seems to be room for a new Dresden Files type work (nod to fav agent friend Ms. Jackson).
Today I had breakfast (so rare to get the editors out early!) with an editor at Tor who acquires young adult and adult SF&F.
We mostly talked about her children’s list so here’s the lunch plate of the day.
If you didn’t already know this, SF children’s is a tough sell. It has to be the right balance between SF elements and a recognizable world that has a larger general appeal. Good author examples of successes would be Garth Nix and Scott Westerfeld.
This editor is dying for something that will be accessible to a wider audience and all she seems to be getting is space ship stories, zombies, and disaster scenarios—all of which feel tired or a bit old-fashioned. She also sees a lot of stories where the parents or all the adults have kicked the bucket and it’s up to the teens to save themselves, the planet, or all of the above.
Now it’s not to say that these elements won’t work in the right story with a fresh twist but it’s the fresh part that seems to be missing.
She wants stories that are about social issues but have a cool SF element that is integral to the story. Some good Tor examples are Cory Doctorow’s LITTLE BROTHER and debut author Isamu Fukui’s TRUANCY.