STATUS: So far I’ve spent all day reading—a full manuscript I requested and then a client work. Only one more day until we officially close so I’ll probably be reading late into the evening.
What’s playing on the iPod right now? HERE COMES SANTA CLAUS by Elvis Presley
Diana Peterfreund is talking about titles on her blog and being the lazy person I am this week, I thought I’d piggyback on her topic.
I want to reiterate here that authors should not get too attached to their titles. Sometimes they’re perfect and the author, the editor, and the whole sales department (and the buyer from Barnes & Noble) are giddy with excitement over it.
Then sometimes they're not. Or they might be perfectly okay titles but not quite the angle the publisher is looking for.
Any agent that’s been around awhile can regale you with tons of title tales and it seems a fitting end to the year. So if you don’t mind, I’m going to share a few.
Paula Reed’s first romance entitled INTO HIS ARMS was originally titled KEEPING FAITH (as in the main heroine’s name was Faith and the hero should keep her). Kensington, her publisher, thought it sounded too inspirational so changed it.
I don’t think anyone can mistake INTO HIS ARMS for a religious tome.
In contrast, the obvious title for Jenny O’Connell’s upcoming second YA is THE BOOK OF LUKE. Speaking of religious references, we thought there was no way MTV Books would let us keep it (although it totally fit because the protagonist takes it upon herself to reform the baddest, most popular boy in school—named Luke of course—and keeps a book about the effort.) We spent days coming up with some alternatives (if I remember correctly, Nice Is A Four-Letter Word was the runner up). It ended up being unnecessary as MTV kept the originally proposed title.
But here’s a great instance to show that a writer shouldn’t get too wed to a title.
For book 2 in Shanna’s ENCHANTED series, she had the perfect title. For years, she had wanted to write a book entitled Bewitched, Bothered, and Bewildered. Finally, her chance had come in the form of the second book in her series. The manuscript was edited, delivered, and heading to press.
Then her agent opened up the then new spring catalog for Berkley (back in 2005) and lo and behold, you guessed it. Berkley had just released a book with that same title. As a book at Ballantine, we didn’t want to compete with a same-title release from another house.
Suddenly, we had no title. Enchanted Book 2 wasn’t really going to cut it. We spent weeks trying to come up with a new title only to be saved by the Ballantine marketing director. It was he who came up with ONCE UPON STILETTOS—in a moment that could only be described as sheer brilliance because what a great title.
For book 3, DAMSEL UNDER STRESS, the brainstorm brilliance was all Shanna and in this instance, Ballantine loved it immediately.
Title crisis averted—this time!