STATUS: Today was a non-day for work. My tech person came to boot up the new network so I pretty much had no access to the computer for most of the day. In good news, I did stand in line for an hour to early vote (and good news for the voting part—not the standing in line part). Don’t forget to vote on Tuesday, Nov. 7, 2006.
What’s playing on the iPod right now? HEY JEALOUSY by Gin Blossoms
I’ve been noticing something in the Teen Chick Lit submissions I’ve been receiving so I’m finally going to talk about it. It’s tough though because taste can be so subjective and what one agent dislikes, another agent loves.
Same with editors for that matter.
But I think there have been enough examples of late to merit a blog entry and this pretty much applies to what I call Teen Chick Lit, which, as many of you know, is mainly done in a young girl’s first person point-of-view.
Now don’t worry. I don’t think there is anything wrong with first pov; I like it just fine. What’s bothering me is what I’m calling a rash of generic first person narratives (despite good hooks or an original story line). The main narrator ends up sounding just like the main narrators of the 30 plus Teen Chick Lits I’ve read in the last 3 months. There’s no differentiating.
Now the tricky part. What’s generic for me? A couple of things.
1. A Valley-girlish type narrative voice
This is for lack of a better description. I don’t mean strict Valley Girl like, oh my gosh, from the 80s. I know YA writers are trying to capture that teen speak, slang, and quick dialogue so true to life. But what I’m seeing is this narrative voice and the absence of crucial things like character development. A narrator’s voice should be instrumental to showing character depth and complexity. Lately, it seems to be missing. Not to mention, not all teens speak that way. Surely we can have some variety. I have two teenage nieces and they don’t talk in this same rhythm that I seem to be seeing over and over in sample pages I’ve been reading.
2. A dialogue-heavy scenes
This in itself is not necessarily bad. Most YA novels tend to be pretty dialogue-oriented. It picks up the pace etc. I have a problem with it when scenes are dialogue-heavy to the exclusion of everything else, like setting the scene. I’m seeing this often.
3. Misconception that a good hook can carry average writing
Yes, a good hook in Teen chick lit goes a long way but I have to say that I’m an even harder judge when reading YA. I really want the writing to be top-notch, literary commercial, can hold up even on an adult level but has the right pace for YA.
It’s one of the reasons why I had not taken on a YA-only writer until just last week. I’m looking for something that can really hold its own in the market. It’s not generic in any way.
Whatever that means, right?