STATUS: It’s Monday. Need I say more? Actually, it was an okay day. There are a few ongoing fires I’m dealing with but nothing new. Thank goodness for that. I’m still concentrating on client material but my partial inbox is calling to me. I know there's some good stuff in there I need to read soon.
What song is playing on the iPod right now? IT’S NOT UNUSUAL by Tom Jones
What I feel like doing most right now is knocking my head against my desk.
Why? There’s nothing worse than having an editor ring up and say, “What’s up babe? You got anything in the hopper for me. I’m itching to buy, buy, buy.”
Okay, the editor didn’t really say that (or call me babe) but she did email me and say, “Do you have any upcoming young adult projects for me to look at?” (Translation: Darn your YA titles are selling really hot right now--which they are--and I want a project with you.)
The Editorial Director of the imprint no less.
And this is the second email in a week’s time from two different editors.
And there is nothing worse than having to say no, I haven’t got a darn thing.
It’s not from a lack of looking at YA projects either.
This is what frustrates me with the recent sample pages I’ve reviewed. Some of them have been great concepts (and I mean good stuff) but with flat, one-dimensional characters and what feels like teen standardized dialogue rather than something authentic.
That drives me crazy. Just because it’s YA doesn’t mean the writing standards are different.
I’ve been reading some cool stuff lately. Edgy. Like Printz medalist John Green’s latest AN ABUNDANCE OF KATHERINES. Cool concept. Top writing.
And what’s really interesting is that I do think some of the stuff I’ve looked at will get representation and potentially sell.
And that’s fine. There’s a market and audience for all types of readers.
I guess I just don’t want to be the agent to sell it.